Zhang Xiaogang is a Chinese painter and preeminent member of the contemporary Chinese avant-garde. His Surrealist-inspired, stylized portraits executed in smoothly rendered oil paint maintain a formal and stiffly posed aesthetic, focusing on the aftereffects of the Cultural Revolution and the meaning of family, history, and memory in China today. Born in 1958 in Kunming, China, Zhang went on study painting at Sichuan Academy of Fine Arts in Chongqing. Forced to work construction and other odd jobs instead of teaching painting as he had intended, Zhang fell into a deep depression fueled by alcoholism, eventually leading to his hospitalization in 1984. Upon discovering an album of his family’s old photographs in the late 1980s, Zhang was inspired to create his Bloodlines series, the body of work for which he is now widely celebrated. He has been exhibited worldwide, notably including at Pace Gallery in New York, the 1995 Venice Biennale, and the Daegu Art Museum. He lives and works in Beijing, China.
A realist painter of modern urban life, John Brack emerged during the 1950s in Melbourne as an artist of singular originality and independence. His highly cerebral, smooth and hard-edged painting style was unique in the context of both the expressive figuration of Melbourne contemporaries such as Arthur Boyd and Albert Tucker, and the rapid growth of abstraction in his time.
After leaving school at 16, Brack worked as an insurance clerk in Melbourne when he was prompted to study art after seeing reproductions of work by Vincent van Gogh. He enrolled in evening drawing classes with… more