Inspired by the vibrant colors of the Fauves and the energy-in-motion of traditional Chinese calligraphy, Wu Guanzhong achieved an elegant reconciliation of Western and Eastern aesthetics and became one of the acknowledged founders of modern Chinese painting. “If a painting contains no abstraction nor impressionistic elements,” he said of his syncretic approach, “it is a kite that will never fly. But if the painting completely breaks the connection between human feeling and the object portrayed, the kite string has been broken. I try to keep the line unbroken.”

Wu Guanzhong (吴冠中)… more

Chu Teh-Chun or Zhu Dequn (24 October 1920 – 26 March 2014) was a Chinese-French abstract painter acclaimed for his pioneering style integrating traditional Chinese painting techniques with Western abstract art. Chu Teh-Chun enrolled in the National School of Fine Arts (now China Academy of Art), where he studied under Fang Ganmin and Wu Dayu. He was the first ethnic Chinese member of the Académie des Beaux-Arts of France, and together with Wu Guanzhong and Zao Wou-Ki… more

Known for his proficiency with both Eastern and Western artistic traditions, and his ability to employ both simultaneously within his work, Zao Wou-Ki has become an important figure in mid-century art historical canon. Born Zhao Wou-Ki (assuming the name Zao after 1947) in 1920 in Peking (now Beijing), Wou-Ki attending the National School of Arts, Hangchow, for six years before becoming a drawing instructor there. In 1947, the artist moved to Paris where he would become friends with the artists Alberto Giacometti and Joan Miró. His work, done in an abstract, gestural style quickly drew… more

Zhang Xiaogang is a Chinese painter and preeminent member of the contemporary Chinese avant-garde. His Surrealist-inspired, stylized portraits executed in smoothly rendered oil paint maintain a formal and stiffly posed aesthetic, focusing on the aftereffects of the Cultural Revolution and the meaning of family, history, and memory in China today. Born in 1958 in Kunming, China, Zhang went on study painting at Sichuan Academy of Fine Arts in Chongqing. Forced to work construction and other odd jobs instead of teaching painting as he had intended, Zhang fell into a deep… more

Yan Ming,. Born in 1917. In 1936, he studied at the National Hangzhou Art Academy and later transferred to Shanghai Meizhuan. Masters from Pan Tianshou, Zhang Hongwei, Wang Shengyuan, Xie Gongzhan, and Mr. Wu Fuzhi. Member of the National Hangzhou Art School Painting and Calligraphy Research Association, which was presided over by Mr. Pan Tianshou. In 1938, there was a work to participate in the Nanyang Art Exhibition by Mr. Liu Haisu. In 1939, he participated in the "Shanghai Celebrity Painting and Calligraphy Exhibition" hosted by Mr. Wang Yachen. After that, he devoted himself to art… more

Yue Minjun is a contemporary Chinese artist known for his inventive take on self-portraiture. Grouped into the Cynical Realism movement in China, alongside artists Fang Lijun and Liu Wei, he refutes this labelling of his work. His brightly colored depictions of maniacally laughing figures are influenced both by Pop Art and Surrealism. His works act as a tacit form of social and political critique which deals with both Chinese history and the Western canon of art. “I’m actually trying to make sense of the world,” he said of his work. “There’s nothing cynical or absurd in what I do.” Born in… more