My practice departs from the idea of visual thinking as thinking about image through image. I use of repetition as method to think. I consider pattern design a cognitive process, based on two hypotheses: 1) Repetition is a tool for abstraction, as it changes perspective from the particular to the general. 2) Abstraction in this context becomes a method to process information, i.e., to think (visually).
I consider photography a method for analysis, in the sense that it can de-construct a visual experience into separate constituents. This reflects on both what is observed and how it is observed, the, which also enable a reflection on my own artistic process.
My work operates within and in-between areas of pattern and photography, with focus on multiple photographic structures like typology, sequence, and pattern compositions. Multiple photographic compositions serves to synthesize a photographic material in search for narrative and representation beyond content of separate images.
