Alexandra Harley

Born
1958
Nationality
British
Country
United Kingdom
City
London

I am a London-based abstract sculptor, exploring a long-term, immersive engagement with materials. I studied sculpture at Wimbledon School of Art (1978-82) under Glyn Williams Katherine Gilli and Robin Greenwood, and went on to the Advanced Course at St. Martin’s School of Art to study with Tim Scott and Alan Gouk (1982-84). My CV is extensive with prestigious juried exhibitions and prizes including the Ashurst Sculpture Prize in 2021. In 2000 I was elected to the Royal Society of Sculptors, serving a three-year term as a trustee 2016-2019; The Free Painters and Sculptors elected me in 2014 and The London Group in 2018 where I am currently on the working committee. In 2019 I brought together Sheila Vollmer, head of programme at Morley and Gill Brent based in Sheffield to exhibit together and to make a series of recorded discussions. ‘Talking-Sculpture-Making’ has now had several exhibitions and is currently on show at York St John University with Griselda Pollock as keynote speaker at the March symposium. Brancaster Chronicles was a studio-based crit group and comprised of my college tutors and other invited artists running for several years until 2019.  My practice has also developed through fellowships in Japan with the East West Prize, the USA at the Vermont Studio Center and the ICA in Massachusetts and the prestigious opportunity to spend 3 months in residence at the Mariani Bronze Foundry in Italy as a Brian Mercer Fellow in 2016. 

Two highly polished uneven and organic planks are lifted off the ground by delicate lengths of painted wood. The planks have a gentle undulating surface contrasting with the slim, organic branches. The raw sticks have a collective strength enabling the lift and are gathered from a broad spread, forced and constricted through openings in the boards.
Occupation
Sculptor
Abstract Artist
Address
182 Downhills Park Road
London
N17 6AP
UK
Interests
abstract art
art and Music
drawing
landscape
Language
Languages
English
Italian
Biography

I am a London-based abstract sculptor, exploring a long-term, immersive engagement with materials. I studied sculpture at Wimbledon School of Art (1978-82) under Glyn Williams Katherine Gilli and Robin Greenwood, and went on to the Advanced Course at St. Martin’s School of Art to study with Tim Scott and Alan Gouk (1982-84). My CV is extensive with prestigious juried exhibitions and prizes including the Ashurst Sculpture Prize in 2021. In 2000 I was elected to the Royal Society of Sculptors, serving a three-year term as a trustee 2016-2019; The Free Painters and Sculptors elected me in 2014 and The London Group in 2018 where I am currently on the working committee. In 2019 I brought together Sheila Vollmer, head of programme at Morley and Gill Brent based in Sheffield to exhibit together and to make a series of recorded discussions. ‘Talking-Sculpture-Making’ has now had several exhibitions and is currently on show at York St John University with Griselda Pollock as keynote speaker at the March symposium. Brancaster Chronicles was a studio-based crit group and comprised of my college tutors and other invited artists running for several years until 2019.  My practice has also developed through fellowships in Japan with the East West Prize, the USA at the Vermont Studio Center and the ICA in Massachusetts and the prestigious opportunity to spend 3 months in residence at the Mariani Bronze Foundry in Italy as a Brian Mercer Fellow in 2016. 

Education
St Martins School of Art, London UK
Wimbledon School of Art London UK
Exhibitions
2024
Reveal
Morley Gallery London uk
Group
2024
Dialogues of Making: TalkingSculptureMaking
Vessel, York St John University, UK
Group
2021
Ashurst Sculpture Prize
Ashurst UK
Solo
2022
Brancaster Chronicles
Stroud Museum UK
Group
2021
The Hague Art Fair with Open Art Exchange
The Hague Holland
Group
2021
Summer Exhibition
Royal Society of Sculptors London UK
Group
2021
In Plain Sight
Thelma Hubert Gallery UK
Group
2020
Wells Contemporary
Wells Cathedral, UK
Group
2019
EWAAC
La Galleria, London uk
Group
2019
Parallel Lines
The Lightbox Woking UK
Group
2018
ING Discerning Eye
The Mall Galleries, London UK
Group
2016
Brian Mercer Fellowship
Royal Society of Sculptors UK
Solo
Prizes and Awards
2021 Ashurst Prize for Sculpture
2016 Brian Mercer Fellowship
Testimonial
Quote
Alex makes both beautiful forms and slightly discordant structures and both working together in a single piece is good, I think. John Pollard (painter)
Links
Favorite Quote
‘Somewhere in the 1990s, the artist in her studio took a permanent backseat to the politics of assertion: the declarations of race, sexuality, and class. ‘Preciousness’ became a term used to denigrate abstraction. And yet the qualities it implied were arguably symptomatic of abstraction: a sensitivity to objects, and the disquieting intensity devoted to the process of making them.’

Jenni Sorkin, art historian, critic, Associate Professor of Contemporary Art History at the University of California, Santa Barbara.