In my art, I strive to establish possible connections between vision (image) and memory. Color plays a crucial role. Through color, I reconstruct reality in a plastic manner. The three-dimensional depth is ensured by the dynamism of color tones within the same chromatic range.
In my artistic practice, I use photographs I have taken personally for inspiration. In abstract works, I integrate figurative painted elements, sometimes with a photographic appearance.
I work with various mediums: acrylic or oil on canvas. I create drawings with charcoal, dry or oily pastels, and ink.
Recently, I have developed a series of works using colored papers, cut into different shapes and organized into collages glued onto cardboard. I will continue with this technique because it offers me multiple possibilities for visual expression.
I draw inspiration by visualizing various colorful images (TV, magazines, the internet), as well as from certain texts read or just fragments of poetry and literary texts.
I seek chromatic influences from French Impressionists and Expressionist artists. I consider Picasso to be the greatest artist from whom I continuously learn.
I use transparent glazes as the first layer on my working surfaces. This gives a freshness similar to watercolors. In certain areas, I add opaque materials to create diversity and alternation of texture.
The concepts of Landscape, Portrait, etc., in the titles of my works are used metaphorically, as objects of aesthetic valorization, not as external photographic representation.
In each work, I aim to simplify and synthesize. I continuously strive for the audience to find both intriguing questions and novel answers in my works.
The overall vision in my art is to create spaces and possible worlds, not physical places to be recognized. I seek to establish possible connections between vision (image) and memory.
